ENL 505 - Stylistics
Doubling Life Story Assignment
Doubling Life Story Assignment
I
I was born then died, thinking.
My life story is relationships. You should see
the other people. Ooof.
“He was unique. Like everyone else. Rust belt
kid, rust belt sensibilities, and iron oxide emotions. He tried really hard
though.”
-Todd Snyder, Ohioan
-Todd Snyder, Ohioan
My mom said I scaled a fence just after learning
to walk. I loved hearing her tell that story; she seemed to intimate I could do
anything to which I put my mind.
And I have.
But I put my mind to a lot of the wrong things.
And I have.
But I put my mind to a lot of the wrong things.
Jimmy Fallon: Tell us your life story.
Me: There isn’t much to tell. It’s a miracle I
earned a college degree and it’s an even bigger miracle I earned a master’s
degree. Can there be degrees of miracles?
Jimmy Fallon:
Me: So to make a long story short I work,
parent, husband, and think about ranking miracles. I can’t believe, practically
incredulous, I’m not back in Barberton, Ohio, drunk, working some soul-killing
manufacturing gig, living in a double wide trailer, awaiting a triple bypass,
after a fourth divorce. But enough about me, tell me your miracle.
Life story = biography = picture of life. My
life. Is my life worthy of a picture? Worthy of a picture, others might care
about? What have I done to warrant attention? To warrant interest in my life
from dirt-poor Ohio kid with alcoholism in his genes, to married to an Ivy
Leaguer, master’s degree educated, upper middle class, Rhode Island parent of
three, still with alcoholism in his genes? You see any picture of life requires
the past...the past that weighs like an anvil on your chest...All. Life. Long.
No one escapes their past. Logicians, of which I count myself, don’t like to use
“none” or “all” because “one” collapses the argument. But everyone has a past
because they have a present. If you don’t believe me, and I don’t blame you for
not, consider this line from Being There: “A man’s past cripples him.
His background turns into a swamp and invites criticism.” So it seems I’m
crippled. And in a swamp. Not a great combo. And for the trifecta I have you
there, reading this, criticizing. Probably murmuring something about
metafiction and how cheap and lazy it is. Great.
II
Think of the way it feels when you hear your
voice on a recording. Most of us bristle, even if a little. “Is that what I
sound like?” Autobiography asks a similar question: Is that what I’ve lived
like?” Autobiography tosses your lump of a life onto a steel-cold table in the
gross lab, where with razor sharp scalpels and muscular forceps and probes,
tears apart your judgement and character and personality with unceasing
fire-breathing criticism of your horrible decisions and gnashes teeth at your
incessant laziness and wrings hands raw due to your pathological sensitivity
and erodes all possibility of contentedness or serenity or self-actualization
at best and at worst births institutionalization, to produce the same face
piercing cringe when you hear your voice through your ears and not through your
head. Autobiography is not some mild, innocuous self-sadism akin to a sauna
what with its relaxed-muscles finale. Nor is it torturous introspection to
reveal the glass is half-full and “just look at all you’ve accomplished from
such modest beginnings!” Honestly and authentically, factually, it exposes
existential pain reaped from a life lived not through the ears, but through the
head.
When you hear what you hear, matters. I heard I
am a being-unto-death in an Existentialism class in 1992. Death - the
possibility of me that prohibits all other possibilities. In my early twenties
I was open to information, a sponge soaking up the world and Heidegger.
Saturated I became. I have lived, knowing there is an end. An end that cannot
be outstripped: by women, booze, weed, tv, NOTHING...looms on the horizon quite
like it. I proceeded accordingly, but took chances, put myself on the line, THE
line! for us both. For all of us.
Hear me: My life is counter to Pascal’s wager.
Infinite gains necessitate infinite beings; I am finite. What I believe
matters. Beliefs bloom behaviors.
The real eternity is before birth, in silence. I
hear. I live.
A cacophonous, volume-sickening, ear-splitting,
authentic, life.
***
Write your life story in 6 words. Then, write
your life story in 12 words. Then 24, 48, 96, 192. Or, if you want to begin
with 192 and work your way down to 6, you can do that, too.
Caveat: once used, you cannot repeat any phrase.
That is, you are not simply revising, adding, filling. Each piece should be
unique. And try not to repeat your “style” or “voice” from one to the next. Mix
them up. Take chances. But meet the word count. Focus on making each word a
vibrant contributor.
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