Read Stanley Elkin's I Look Out For Ed Wolfe last night and I highly recommend.
The rants here and in The Franchiser are just too delicious not to consume, even if you feel a little, abused economically and ergo, personally.
Will you look out for Ed Wolfe?
A little light stuff, a little substance. A little of this, a little of that. Don't over think it. I know you won't.
Tuesday, April 9, 2019
Friday, April 5, 2019
The 505 Tom Wolfe
Tough assignment from the 505: write a la Tom Wolfe.
Ooof.
But...I read Wolfe's The Electric-Kool-Aid Acid Test and Style As Argument by Chris Anderson.
I tried to capture, somewhat, this idea that elite musicians are channels for something greater. That the music comes THROUGH them, not FROM them. I first heard this reading Plato, regarding the poets. Then oddly enough, after Stevie Ray Vaughan died and Eric Clapton talked about SRV's playing:
ENL 505 - Stylistics
Ooof.
But...I read Wolfe's The Electric-Kool-Aid Acid Test and Style As Argument by Chris Anderson.
I tried to capture, somewhat, this idea that elite musicians are channels for something greater. That the music comes THROUGH them, not FROM them. I first heard this reading Plato, regarding the poets. Then oddly enough, after Stevie Ray Vaughan died and Eric Clapton talked about SRV's playing:
Eric Clapton I don't think anyone has commanded my respect more, to this day. The first time I heard Stevie Ray, I thought, "Whoever this is, he is going to shake the world." I was in my car and I remember thinking, I have to find out, before the day is over, who that guitar player is. That doesn't happen to me very often, that I get that way about listening to music. I mean, about three or four times in my life I've felt that way, in a car, listening to the radio, where I've stopped the car, pulled over, listened, and thought, I've got to find out before the end of the day, not, you know, sooner or later, but I have to know NOW who that is.
...and I remember being fascinated by the fact that he never, ever seemed to be...lost in any way...It was as though he never took a breather...or took a pause to think where he was gonna go next, it just flowed out of him. It's going to be a long time before anyone that brilliant will come along again.
I didn't get to see or hear Stevie play near often enough, but every time I did I got chills and knew I was in the presence of greatness.He seemed to be an open channel and music just flowed through him. It never seemed to dry up.
I have to tell this story: We played on the same bill on his last two gigs. On the first night, I watched his set for about half an hour and then I had to leave because I couldn't handle it!. I knew enough to know that his playing was just going to get better and better. His set had started, he was like two or three songs in, and I suddenly got this flash that I'd experienced before so many times whenever I'd seen him play, which was that he was like a channel. One of the purest channels I've ever seen, where everything he sang and played flowed straight down from heaven. Almost like one of those mystic Sufi guys with one finger pointing up and one finger down. That's what it was like to listen to. And I had to leave just to preserve some kind of sanity or confidence in myself.
ENL 505 - Stylistics
Tom Wolfe Assignment
An infinitesimal minority hear the
calling. Of those, few heed the call. The heeders? Many fall by the wayside;
rolled over and tumbled in the wake of doubt, or block, or aesthetic attrition.
You and me? The most boring mortals never hear the call... a call. No brrinnnggg brrinnnggg for us!
You and me? The most boring mortals never hear the call... a call. No brrinnnggg brrinnnggg for us!
But there are sentient savants among us, and
they offer us, oh just: vicarious prodigy, vicarious transcendence, vicarious
peak experience. We can’t have these...on our own. Pshaw!
It’s no one’s fault. Blame is moot. Why try to explain the inexplicable? Got some sort of Sisyphus complex, do ya? Why fret when you can live vicariously?
It’s no one’s fault. Blame is moot. Why try to explain the inexplicable? Got some sort of Sisyphus complex, do ya? Why fret when you can live vicariously?
Face facts! Few will ever possess and only a few
more will ever understand, remotely, the genius. Can you think of a more
overused word than genius? Gawd! But it is genius proper in these
carnate gods. They possess, in spades, a shrug-your-shoulders, don’t look at
me, holy schnikes kinda genius. The kind of wunder mensch, beyond talented, kinda brain that can
juggle sense data out the yin yang in a nanosecond over a corpus callosum thick
as nautical rope:
Right Brain
::::left fret hand
::::hammer-on index-middle-pinky finger succession
::::low e string frets 3-5-7
::::low a string frets 3-5-7
Index-middle-ring::::low d string frets 4-5-7
::::left fret hand
::::hammer-on index-middle-pinky finger succession
::::low e string frets 3-5-7
::::low a string frets 3-5-7
Index-middle-ring::::low d string frets 4-5-7
Left Brain
::::right pick hand
::::index finger low e (dampen strings below e with remaining palm)
::::index finger low a (dampen strings below a with remaining palm; thumb dampen e above)
::::index finger low d (dampen strings below with remaining palm; thumb dampen a & e above)
::::right pick hand
::::index finger low e (dampen strings below e with remaining palm)
::::index finger low a (dampen strings below a with remaining palm; thumb dampen e above)
::::index finger low d (dampen strings below with remaining palm; thumb dampen a & e above)
Whole Brain
::::hear but don’t listen-don’t play but be played-imagine ahead-hear the notes a priori-sing the notes in your mind’s voice-feel for the bass line-feel for the drummer-feel for the chords-feel for the crowd...feel…
...with your sixth sense.
Or seventh or eighth sense...or ad infinitum sense.
::::hear but don’t listen-don’t play but be played-imagine ahead-hear the notes a priori-sing the notes in your mind’s voice-feel for the bass line-feel for the drummer-feel for the chords-feel for the crowd...feel…
...with your sixth sense.
Or seventh or eighth sense...or ad infinitum sense.
Do it...ALL AT THE SAME TIME!
Unless you’ve tried to play an instrument, you
can’t really fathom the magic that elite musicians pull off. You just watch in
awe as the rabbit isn’t only pulled out of the hat but is ejected into the
aural stratosphere and explodes to fill your existential/aesthetic void with
je ne sais quoi but something you needed!
je ne sais quoi but something you needed!
Unless you’ve played an instrument and tried to
master it to the level of even pro-am status, you’ve no clue the voodoo that
they do when they do what they do indeed do. But done it is.
Maybe you’ve near-mastered something in your life. Hell!
maybe back in high school you were capable of going from a back handspring into
a full-fledged flip and as a result, have an immense appreciation every time
the summer Olympics roll around and you watch agape the floor routines as human
springs bound and coil and twist with needle-threading precision but never tire
or dizzy or seem anything but unbound, untethered, unREAL.
But this isn’t even about mastering. Mastering is B-O-R-I-N-G.
This is NOT run of the mill, hey hey kid’s got some talent, second place
in some High School Gong Show. This is NOT even about impeccably gifted
musicians who can earn a meager life-on-the-road living, performing music. Not
even the same ballpark, area code, universe.
This is about those musicians that when you hear, you know...when you are in the presence of...and… when there are no words that pop up, come to mind, do justice -there just aren’t. We don’t need a vocab when we slide into aesthetic nirvana like melting into a hot bath. Seeking is suffering. Epistemic justification is as worthless as justifying epistemology.
This is about those musicians that when you hear, you know...when you are in the presence of...and… when there are no words that pop up, come to mind, do justice -there just aren’t. We don’t need a vocab when we slide into aesthetic nirvana like melting into a hot bath. Seeking is suffering. Epistemic justification is as worthless as justifying epistemology.
But it is certain, oh as certain as 2+2=4. We know because
we are changed; certain because we are accosted, held hostage, raptured with an
aesthetic drug in our blood, as formless, metaphysical, righteous beauty fills,
no sates! us...still; immobile, wordless, clean and cleansed, we cannot
reckon...but reckoning is soooo beneath us now.
These musicians are pregnant with god, however defined, in eternal
artistic labor, their past dedication and practice serving as the dilation that
allows the deity to be delivered but never, ever, apart...always attached via
an umbilical of equal reciprocity: each possessed and nurtured by the other.
***
Word Count: 702
Write: For this assignment, take a brief piece
(500-750) you have written and revise/ write in the style of the featured
author. In other words, revise so as to mimic the style
of the featured author. You can, as well, compose a brand new
piece in this style.
Wednesday, April 3, 2019
I am not Left Handed
Maybe you've seen The Princess Bride and recognize the title as those words spoken by Inigo Montoya.
Nor am I left handed and nor do I usually blog about my work. I do enjoy a good noir flick though (The Third Man, Double Indemnity come to mind).
But I have an advisee who has shaken me to my core. Probably because I don't do enough crunches or planks but that's not important right now.
Here is what he said:
I shit you not.
Take a moment and let that sink in.
What does that even mean!
You've used your hands all life long, assuming you have both, you've used both of them, all life long.
What does it mean to learn you are left handed???? and how did you learn it??? did someone tell you after a battery of tests???? because you couldn't figure it out and had to solve the mystery before you died???
What the living fuck? What kind of person drops this nugget ninja in my cranium to fester and bite at my brain like a mosquito?
Dammit this is why people are the worst.
Nor am I left handed and nor do I usually blog about my work. I do enjoy a good noir flick though (The Third Man, Double Indemnity come to mind).
But I have an advisee who has shaken me to my core. Probably because I don't do enough crunches or planks but that's not important right now.
Here is what he said:
I found out ten years ago I'm left handed.
I shit you not.
Take a moment and let that sink in.
What does that even mean!
You've used your hands all life long, assuming you have both, you've used both of them, all life long.
What does it mean to learn you are left handed???? and how did you learn it??? did someone tell you after a battery of tests???? because you couldn't figure it out and had to solve the mystery before you died???
What the living fuck? What kind of person drops this nugget ninja in my cranium to fester and bite at my brain like a mosquito?
Dammit this is why people are the worst.
Thursday, March 28, 2019
Rough Week
Really rough.
Feeling very low and emotionally lethargic.
So these comments on my ENL 505 Autobiography Biography assignment were really needed:
Oh, I got paid to write a song. Sure it was off Craigslist and sure it wasn't for much and sure it isn't likely to win a Grammy or three but I can't help but wonder: what percentage of the population ever gets paid to write a song?
Feeling very low and emotionally lethargic.
So these comments on my ENL 505 Autobiography Biography assignment were really needed:
Shannon, These two pieces validate the worth of the assignment. Both pushed hard at their limits, high and low, and both achieved a stunning originality. Further, there are numerous treats along the way: "the undeniable fact of the matter is that success for any brain, Shannon's or yours, must in part be determined by checking bank statements"; the concluding line of the biography; "cried like paint spilling over the side of the can"; "I fell. I'm falling. I will fall."
Oh, I got paid to write a song. Sure it was off Craigslist and sure it wasn't for much and sure it isn't likely to win a Grammy or three but I can't help but wonder: what percentage of the population ever gets paid to write a song?
Thursday, March 21, 2019
Don't Look In The Mirror
New Zealand Prime Minister Jacinda Ardern announced Thursday that the government will ban "military-style semi-automatic weapons and assault rifles," in an attempt to head-off "the kind of horror and attack that we saw on Friday." She said the outlawed weapons will be listed on a website and are the type that were used in the attack on two mosques in Christchurch last week.
We
will not follow New Zealand’s lead because of our values. We won’t ban
semi-automatic weapons because we value them.
We
love military-style semi-automatic weapons. Adore, cherish, esteem...pick a
verb.
Have
you ever fired a military-style semi-automatic weapon? Oh my gawd the insane power...as fast as
you can pull the trigger. Exhilarating! It’s like a roller coaster ride but
with gunpowder. Fucking incredible. Better than sex.
Even
in a climate controlled, sterile, shooting range, the wash of power from a
military-style semi-automatic weapon pulsing through you is so powerful it’ll
make you cum your underwear full.
It
gets better. Have you ever defended your home or your loved ones with a
military-style semi-automatic weapon? What a rush! I keep mine under the bed
just in case someone tries to steal our gazing ball from the yard or makes a play
for the minivan. Sakes alive, shooting another person in defense of property or
loved ones is an immeasurable rush; you just haven’t lived until you’ve killed someone with a military-style semi-automatic
weapon as they try to pilfer
your lamps.
Is there a greater
good argument to be made about banning military-style semi-automatic weapons?
What’s
that? I can’t hear you over the awesome cacophony from my AR-15 as I help
control the deer population.
BBBBRRR!BBBRrrrbbrbbrbRBBRBBBBBBBBBBB!RRRRRRRRRRRRRRRRbRRRRrrrrrrrrrrrr!
[finger
rest]
bbbb!bbbbbbbbbrrrrrrrrrrrrrrrrrrrrRRRRRRRRR!RR!RRRRBBBBBBBBrrr!rBBBBBBBBBBRrbrr!
Don’t
look in the mirror America.
Don’t look at New Zealand.
Don’t look at the dead bodies.
Don’t look at your values and don’t mind the dissonance.
It’ll go away, just like the soul of the country.
Don’t look at New Zealand.
Don’t look at the dead bodies.
Don’t look at your values and don’t mind the dissonance.
It’ll go away, just like the soul of the country.
Tuesday, March 19, 2019
The 505 Doubling
ENL 505 - Stylistics
Doubling Life Story Assignment
Doubling Life Story Assignment
I
I was born then died, thinking.
My life story is relationships. You should see
the other people. Ooof.
“He was unique. Like everyone else. Rust belt
kid, rust belt sensibilities, and iron oxide emotions. He tried really hard
though.”
-Todd Snyder, Ohioan
-Todd Snyder, Ohioan
My mom said I scaled a fence just after learning
to walk. I loved hearing her tell that story; she seemed to intimate I could do
anything to which I put my mind.
And I have.
But I put my mind to a lot of the wrong things.
And I have.
But I put my mind to a lot of the wrong things.
Jimmy Fallon: Tell us your life story.
Me: There isn’t much to tell. It’s a miracle I
earned a college degree and it’s an even bigger miracle I earned a master’s
degree. Can there be degrees of miracles?
Jimmy Fallon:
Me: So to make a long story short I work,
parent, husband, and think about ranking miracles. I can’t believe, practically
incredulous, I’m not back in Barberton, Ohio, drunk, working some soul-killing
manufacturing gig, living in a double wide trailer, awaiting a triple bypass,
after a fourth divorce. But enough about me, tell me your miracle.
Life story = biography = picture of life. My
life. Is my life worthy of a picture? Worthy of a picture, others might care
about? What have I done to warrant attention? To warrant interest in my life
from dirt-poor Ohio kid with alcoholism in his genes, to married to an Ivy
Leaguer, master’s degree educated, upper middle class, Rhode Island parent of
three, still with alcoholism in his genes? You see any picture of life requires
the past...the past that weighs like an anvil on your chest...All. Life. Long.
No one escapes their past. Logicians, of which I count myself, don’t like to use
“none” or “all” because “one” collapses the argument. But everyone has a past
because they have a present. If you don’t believe me, and I don’t blame you for
not, consider this line from Being There: “A man’s past cripples him.
His background turns into a swamp and invites criticism.” So it seems I’m
crippled. And in a swamp. Not a great combo. And for the trifecta I have you
there, reading this, criticizing. Probably murmuring something about
metafiction and how cheap and lazy it is. Great.
II
Think of the way it feels when you hear your
voice on a recording. Most of us bristle, even if a little. “Is that what I
sound like?” Autobiography asks a similar question: Is that what I’ve lived
like?” Autobiography tosses your lump of a life onto a steel-cold table in the
gross lab, where with razor sharp scalpels and muscular forceps and probes,
tears apart your judgement and character and personality with unceasing
fire-breathing criticism of your horrible decisions and gnashes teeth at your
incessant laziness and wrings hands raw due to your pathological sensitivity
and erodes all possibility of contentedness or serenity or self-actualization
at best and at worst births institutionalization, to produce the same face
piercing cringe when you hear your voice through your ears and not through your
head. Autobiography is not some mild, innocuous self-sadism akin to a sauna
what with its relaxed-muscles finale. Nor is it torturous introspection to
reveal the glass is half-full and “just look at all you’ve accomplished from
such modest beginnings!” Honestly and authentically, factually, it exposes
existential pain reaped from a life lived not through the ears, but through the
head.
When you hear what you hear, matters. I heard I
am a being-unto-death in an Existentialism class in 1992. Death - the
possibility of me that prohibits all other possibilities. In my early twenties
I was open to information, a sponge soaking up the world and Heidegger.
Saturated I became. I have lived, knowing there is an end. An end that cannot
be outstripped: by women, booze, weed, tv, NOTHING...looms on the horizon quite
like it. I proceeded accordingly, but took chances, put myself on the line, THE
line! for us both. For all of us.
Hear me: My life is counter to Pascal’s wager.
Infinite gains necessitate infinite beings; I am finite. What I believe
matters. Beliefs bloom behaviors.
The real eternity is before birth, in silence. I
hear. I live.
A cacophonous, volume-sickening, ear-splitting,
authentic, life.
***
Write your life story in 6 words. Then, write
your life story in 12 words. Then 24, 48, 96, 192. Or, if you want to begin
with 192 and work your way down to 6, you can do that, too.
Caveat: once used, you cannot repeat any phrase.
That is, you are not simply revising, adding, filling. Each piece should be
unique. And try not to repeat your “style” or “voice” from one to the next. Mix
them up. Take chances. But meet the word count. Focus on making each word a
vibrant contributor.
Wednesday, March 6, 2019
The 505 Bio Auto Bio
In general, it is a spectacle to behold in all
the universe: an organ composed of 100 billion neurons, capable of:
multivariate sensation via transduction, complex emotions like love and
disgust, memory, dreams, and abstract calculations enabling travel to and
survival in, an atmosphere from which neither it nor its predecessors eternal,
evolved.
In Shannon specifically, it is not so much a marvel as a beleaguered, middling, also-ran in a world of Mensa-belonging, Ivy-league attended, Rubix cube-solving brains encased in skulls attached to bodies that employ cognitions to high IQ contingent pursuits such as multiple patent electrical engineering, rocket science with legitimate blast-off credentials, and quantitative track PhD’s in Psychology requiring the ho-hum ability to master linear algebra. Lest it is forgotten, all heretofore pursuits earn the kind of cash cachet that demarcates Shannon’s brain as a welfare applying, double-wide trailer living, cheap beer drinking kind of brain.
Certainly, the story of Shannon’s brain, like any other brain, is a story of what it isn’t, what it fails to do, of what is isn’t capable. But this story, honest though it may be, withholds, omits, and fiendishly commits biographically felonious sleight-of-hand by failing to mention the context, the environment, the nurture in the nature/nurture of Shannon’s brain that, once known, renders his brain a microcosm miracle, capable of overcoming a deep-root familial failure in letter and spirit, besting genes predisposed to the most vile, insidious of diseases: addiction, and silencing a penetrating self-hatred formed in the trauma of poverty that, with just a quick peek on Facebook or Google street view, constricted and choked others so slowly and subtly but so surely that their lives, like their breath, wheezed to nothing if not mere existence in need of relief via death.
The failure of Shannon’s brain is relative to the success of the brains of his wife’s family and their garnered accolades, inductions into academic Halls of Fame, patents and publications, and especially the monetary value associated with and resulting from those achievements: the undeniable fact of the matter is that success for any brain, Shannon’s or yours, must in part be determined by checking bank statements.
The “success” of Shannon’s brain is relative to the failures in his own family history, the absolute inability to thrive, the unadulterated disease of addiction for which failure of the will must be indicted, tried, found guilty, and summarily executed -for genes are passed down and disease runs deep as the Mariana Trench in just a vein- and the fearful choices, decisions made, horrendous and shallow in forethought are/were/will be profound in pathology. Yes, these are the only conditions in which Shannon’s brain has achieved “success.”
A holistic biography of Shannon’s brain isn’t a case of mutual exclusivity: both the failures and successes must be part of the story and both can be true at the same time. At once it is a marvel and meddling; mediocre and microcosmically miraculous; incredible and indelible while incoherent and inconsistent; underwhelming and unforgettable.
In Shannon specifically, it is not so much a marvel as a beleaguered, middling, also-ran in a world of Mensa-belonging, Ivy-league attended, Rubix cube-solving brains encased in skulls attached to bodies that employ cognitions to high IQ contingent pursuits such as multiple patent electrical engineering, rocket science with legitimate blast-off credentials, and quantitative track PhD’s in Psychology requiring the ho-hum ability to master linear algebra. Lest it is forgotten, all heretofore pursuits earn the kind of cash cachet that demarcates Shannon’s brain as a welfare applying, double-wide trailer living, cheap beer drinking kind of brain.
Certainly, the story of Shannon’s brain, like any other brain, is a story of what it isn’t, what it fails to do, of what is isn’t capable. But this story, honest though it may be, withholds, omits, and fiendishly commits biographically felonious sleight-of-hand by failing to mention the context, the environment, the nurture in the nature/nurture of Shannon’s brain that, once known, renders his brain a microcosm miracle, capable of overcoming a deep-root familial failure in letter and spirit, besting genes predisposed to the most vile, insidious of diseases: addiction, and silencing a penetrating self-hatred formed in the trauma of poverty that, with just a quick peek on Facebook or Google street view, constricted and choked others so slowly and subtly but so surely that their lives, like their breath, wheezed to nothing if not mere existence in need of relief via death.
The failure of Shannon’s brain is relative to the success of the brains of his wife’s family and their garnered accolades, inductions into academic Halls of Fame, patents and publications, and especially the monetary value associated with and resulting from those achievements: the undeniable fact of the matter is that success for any brain, Shannon’s or yours, must in part be determined by checking bank statements.
The “success” of Shannon’s brain is relative to the failures in his own family history, the absolute inability to thrive, the unadulterated disease of addiction for which failure of the will must be indicted, tried, found guilty, and summarily executed -for genes are passed down and disease runs deep as the Mariana Trench in just a vein- and the fearful choices, decisions made, horrendous and shallow in forethought are/were/will be profound in pathology. Yes, these are the only conditions in which Shannon’s brain has achieved “success.”
A holistic biography of Shannon’s brain isn’t a case of mutual exclusivity: both the failures and successes must be part of the story and both can be true at the same time. At once it is a marvel and meddling; mediocre and microcosmically miraculous; incredible and indelible while incoherent and inconsistent; underwhelming and unforgettable.
***
Be quiet. Hear that?Listen.I hear you. I hear things. I hear the hear-able and it is enough. More than enough.
I also listen. I’ve listened to you. I’ve listened to many people. I haven’t
heard a lot of sense. Not enough. There were times I listened to you and
trusted you. There were.
I am a wave conduit. I relish in sounds and impressions, words for their own sake, accents, dialects. Always have. I cherish music. I spent thousands of hours alone with it and it alone -pouring through me like an untamed river but damnable with patience and caring. I committed to music in a way I could not to people. People make noise. Music never judged... People judge so harshly. For a long time I listened and listened to music. Sometimes I couldn’t hear what I needed to hear, it seemed. I was desperate. I learned the difference between hearing and listening. I was just ignorant, green. I was willing though. Willing to put in the time and effort. It was painstaking. I grew like a weed then lost patience then wilted. I improved little by little. Miniscule steps taken with stumbles aplenty. I’ve heard so many lies. I’ve heard them from within and without. People lie. Music doesn’t lie. Music fools unintentionally. I didn’t spend enough time listening. I remember my mother’s voice. Or do I? I remember my father singing like Dan Tyminski in a parking lot in Wadsworth, Ohio. I heard B.B. King in a small theatre. I heard melodies and cried like paint spilling over the side of the can. They were so beautiful I couldn’t have cared more. I connected to the universe with the strength of a million magnets. I’ve listened to heartbeats still in the womb. Heard life unborn. I’ve heard fights break out among slurred words. Too often. I hear fear in the conscience. Maybe fear is all I hear in conscience. I listen for value judgements. My lone supersense is hearing judgements. I hear you judging me, this. I AM listening.
Maybe I’ve done something other than hear or listen. Maybe it isn’t the sounds out there in the world. Maybe it’s me the receiver. Maybe I distort and corrupt. Maybe the sounds are pure, innocent, neutral. Was it Monet that cut off his ear? How come nothing is definite? Nothing that comes through me is definite. Nothing concrete, dependable.
I am a wave conduit. I relish in sounds and impressions, words for their own sake, accents, dialects. Always have. I cherish music. I spent thousands of hours alone with it and it alone -pouring through me like an untamed river but damnable with patience and caring. I committed to music in a way I could not to people. People make noise. Music never judged... People judge so harshly. For a long time I listened and listened to music. Sometimes I couldn’t hear what I needed to hear, it seemed. I was desperate. I learned the difference between hearing and listening. I was just ignorant, green. I was willing though. Willing to put in the time and effort. It was painstaking. I grew like a weed then lost patience then wilted. I improved little by little. Miniscule steps taken with stumbles aplenty. I’ve heard so many lies. I’ve heard them from within and without. People lie. Music doesn’t lie. Music fools unintentionally. I didn’t spend enough time listening. I remember my mother’s voice. Or do I? I remember my father singing like Dan Tyminski in a parking lot in Wadsworth, Ohio. I heard B.B. King in a small theatre. I heard melodies and cried like paint spilling over the side of the can. They were so beautiful I couldn’t have cared more. I connected to the universe with the strength of a million magnets. I’ve listened to heartbeats still in the womb. Heard life unborn. I’ve heard fights break out among slurred words. Too often. I hear fear in the conscience. Maybe fear is all I hear in conscience. I listen for value judgements. My lone supersense is hearing judgements. I hear you judging me, this. I AM listening.
Maybe I’ve done something other than hear or listen. Maybe it isn’t the sounds out there in the world. Maybe it’s me the receiver. Maybe I distort and corrupt. Maybe the sounds are pure, innocent, neutral. Was it Monet that cut off his ear? How come nothing is definite? Nothing that comes through me is definite. Nothing concrete, dependable.
I fell. I’m falling. I will fall. Is there
nothing dependable? Nothing to reach for? Trust is an issue. Trust is the
issue. I can count only on myself. I’ve done that. I am doing that. Am I not?
Still there is doubt. Still there is mistrust. Still I listen and hear and
doubt and worry about what I hear and what I listen to. I do. I’ve heard that
no man is an island. I’ve heard that relationships are essential for happiness.
I’ve listened to calls and pleas. They were coming from me. Full circle.
***
Write: Write a 500 word biography of your brain. The
biography should be composed in a noun/periodic/hypotactic style. Then write a
500 word autobiography of your heart. The autobiography should be
composed in a verb/paratactic/running style. If you prefer, you can substitute
the anterior of your body for your brain, and the posterior of your body for
your heart. Or, you can use eyes, ears, nose, or mouth to replace brain/heart.
The biography/autobiography will reflect not only a shift in
stories but a change of perspective as well (3rd person to 1st).
As you write these, pay close attention to voice, and, in the case of the
autobiography, to personification.
Biography Word Count: 500
Autobiography Word Count: 500
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In The Static
He had about 4 hours and 30 minutes. He, like Jack London, was going to use his time. What else did a man have…but time? Christians hav...
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I took two of my kids for ice cream yesterday and on the way home John Coltrane's My Favorite Things came on Sirius Radio. I said someth...
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"The medium is the message" is a profound and influential idea coined by Canadian communication theorist Marshall McLuhan in the...
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Via the NYT I came across this: Jürgen Moltmann, Theologian Who Confronted Auschwitz, Is Dead at 98 https://www.nytimes.com/2024/0 6/08/bo...